Vito had joined the U. Army as a way of avoiding jail time for a botched robbery. Vito reunites with his old friend, Joe Barbaro, and the two quickly embark upon a life of crime. Soon enough, Vito, Joe, and Henry Tomasino find themselves battling with, for, against, and around three crime factions: the Falcone, Vinci and Clemente families. Enter the world of Empire Bay — World War II is raging in Europe and the architecture, cars, music and clothing all echo the period in stunning detail.
In , Sicilian immigrant Vito Scaletta is arrested during a robbery and opts to join the United States Army to avoid jail, enlisting as a jeep driver in the th Parachute Infantry Regiment. A Noire The Complete Edition. In early , Vito returns home on leave to Empire Bay and reunites with his childhood friend Joe Barbaro, who has joined the Clemente crime family in his absence, and supplies Vito with counterfeit discharge papers.
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Second game in Mafia game series. Amazing graphic quality and wonderful sound effects. Based on underworld and played in a fictional city. Main character is Vito.
Variety of useful weapons. Many powerful enemies. Vavra believes that a balance of complete player freedom and narrative direction is the future for games such as Mafia II. We're trying to be somewhere in the middle. Enough freedom and replay value, but with a very strong movie experience in all the right places. Mafia II is due out early next year - we'll wear concrete boots and matching overcoats if 2K Czech fail to deliver a sophisticated Cosa Nostra classic set in a living city..
Faced With One the developers of the original Mafia , there's only one question any fan really wants to ask. So I asked it. Why was that bloody racing mission so stupidly difficult? Daniel Vavra, lead designer at 2K Czech formerly the far less bleak sounding Illusion Softworks laughed and assured me that it was originally intended to be harder, and that only the endless nagging of his superiors prevented it becoming the most impossible-to-beat level in gaming history.
Putting old grudges to bed, we set aside the only blotch on Mafia's tenure as the PC's greatest, most well-i written free-roaming shooter, and move on to the matter at hand - its sequel. First, 2K Czech are keen to quash rumours - Mafia 2 is not a continuation of the previous game's story, nor is the main character related to the original protagonist in any way.
Mafia 2 starts with a clean slate, and with that fact firmly stated, it's deemed appropriate to show off an early version of the game's introductory cutscene. In it a locomotive pulls into a Grand Central-esque station. Out of this locomotive steps a neatly dressed soldier on leave - this is Vito, your character, who chose to enlist rather than serve time in prison having been arrested for a petty crime. He's home for a month following a spell in hospital, though the war is coming to an end anyway.
As he leaves the station Vito is met by a husky gentleman in a trench coat and trilby - this is Vito's childhood friend and criminal counterpart, Joe. Vito asks how Joe knew he'd be arriving, to which Joe replies, "I've got my contacts".
If the game's title didn't tip you off, Joe's dubious nature certainly will - this is a game about bad men, questionable morality and having contacts. As they leave the station, two policemen eye them with presumably warranted suspicion. Already it's apparent that, from its cinematic camera work to its superb voice acting, this is unmistakeably Mafia - infused, as ever, with Goodfellas and Godfather references.
You've got Vito, the clever one, and Joe, the ruthless one - your typical aspiring gangsters destined to become embroiled in a war between two rival families.
There's loads of swearing, which is both funny and clever, complementing a tight script written by Vavra. He wrote the original game's script too, so you know it'll be good.
Flitting about 2K Czech's office like an inquisitive fact-moth, I happen upon the game's city designer, Pavel Cizek, who tells me about Mafia 2s game world. Girth fans will be pleased to hear that it's twice as big as Mafia's Lost Heaven, with two and a half square miles in which to roam. Loosely modelled on Manhattan, Mafia ITs city contains memorable landmarks such as a version of the Empire State Building, which, as it's visible throughout the city, acts as a useful navigation aid.
The camera dives into the city and rolls gently along sun-drenched tenements, as Cizek demonstrates the density of the roadside furniture. Fences, bins, back-streets, burnt out cars, individually modelled windows, lootable shop fronts, meticulously realised fire escapes - there's a hell of a lot of detail on offer, and most of it can lie mown down and destroyed.
Cizek flips the cityscape from day to night, to show how windows are randomly illuminated from the inside as imaginary folk move from room to room switching lights on and off. This might sound like the most ridiculous little thing, these glowing lights, but it's there to cement over any telling cracks in the game world's realism.
The goal here is to create a city which supplements and supports the strong story aspects of the game. Through small details like these, 2K Czech plan to create the most believable living, breathing city we've ever seen.
To this often-touted end Mafia Il's pedestrians have had a disproportionate amount of thought put into them. As unbelievable as it sounds, any member of the populace will have an observable routine, such as leaving their home, hopping on a bus, getting off at a clothes shop, trying on and then paying for a suit, before finally returning home by bus again.
Oblivion started it and some city-builders have similar systems, but Mafia II is going to new extremes. If a driver collides with another car which occurs at random , both parties will exit their vehicles and exchange insurance details in an amicable fashion. Police will chase criminals if they spot a random crime in progress.
The homeless will sleep rough and rummage in bins. Meanwhile, the previous game's strict speed limits are less enforced so police officers will turn a blind eye to somebody coasting at five miles per hour above the limit. In fact, other drivers will likely be doing the same. What we're being promised is the next generation of urban environments in gaming as awful a phrase as that sounds , and if 2K Czech can pull it off it's destined to be a wonderful thing just to sit back and observe - believable in its subtlety and surprising in its complexity.
Whether it be in the gentle rocking of individual train carriages as they clatter along the rails, the understated build-up of grit and muck on your car as you hurtle recklessly along a dirt track and the ability to wash it off , or simply the clothes and cars chosen to flawlessly recreate the '40s period - Mafia II will be a beautifully detailed game.
If my slack-jawed enthusiasm for the game's environments have confounded you - let me remind you that Mafia II is still a shooter, in which you're expected to kill many people. Rest assured that the liberal care that 2K Czech have massaged into the game's city has made it as far as the action sections.
And as if to prove this, I am shown a shootout in a brewery. As with the original game, everything will take place from a third-person standpoint, but Mafia II takes affairs slightly more over the shoulder.
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